What is a RAW photo editor and why do I want one?
The reality is that a RAW image editing workflow using a RAW photo editor is one of the best ways for you to have complete control over your images. This is especially true for wedding photographers shooting uncontrolled events, where rule number one is to get the shot, and rule number two is to get a better shot. Even the most seasoned photographer will choose an authentic moment over perfect camera settings, when push comes to shove.
I’ve always felt that getting it right in camera is the most important component in creating great images. Too often you hear people say, “You can fix that later.” Relying on post production to save an image (because of laziness or poor technique) is different than enhancing or fine tuning what’s already there.
RAW files give you far more room to make adjustments in post, and won’t introduce the artifacting that you encounter when you push a JPEG too hard. Why is that, you ask?
Basically, a RAW file is the unprocessed data captured by the camera sensor that hasn’t been converted by the camera’s on-board microprocessor. Think of it as a digital negative.
Shooting JPEG means the camera locks in everything at the time of capture (exposure, white balance, contrast). This can be a problem, for example, if the color temperature on your camera is set to auto white balance with multiple lighting sources and gets it wrong. Guess what happens if your scene has a dynamic range greater than the JPEG can handle? Your camera decides what to keep and what to discard. Most of the time, that doesn’t work in your favor.
Exposure, Contrast, Highlight, Shadow, White Balance, Color, Noise Reduction are just some of the adjustments you can make (after the fact) with a RAW photo editor workflow. RAW files contain far more detail than JPEGs. This means you have a lot of flexibility and latitude to make non-destructive adjustments with a RAW image editing program like Exposure X.
Exposure X is a newly reimagined RAW photo editor representing over a decade of research and feedback from industry-leading photographers. If you haven’t taken a peek at this alien tech since earlier versions, it’s time to take another look. No longer relegated to being a Photoshop or Lightroom plug in, this (standalone) software deserves serious consideration for anyone wanting to speed up their RAW workflow and find inspiration.
Developed for a new generation of photographers wanting the vintage nuances of film and the performance of RAW image processing, it’s a RAW photo editor that’s designed around creativity, simplicity and flexibility.
Editing RAW files is quick and easy with the right RAW photo editor
Long before Photoshop actions, Lightroom presets and Instagram filters, there was this thing called film. And it was magical.
At Exposure’s heart is a huge library of beautiful styles (over 450) developed through careful research of modern and historical photographic techniques. A few of my favorites are in there (from back in the day). Kodak films like Kodachrome, Portra, and Tri-X (developed in Rodinal, the premier developing agent of black & white film), Fuji film color negative films, and black and white selections from Ilford. They even have Polaroid instant films.
These aren’t your average film emulations. They are carefully crafted presets made to inspire you. You can even use them to make your own customized looks. All the editing tools you need are at your fingertips, from exposure and vibrance to noise reduction and sharpening. You can put finishing touches on your photos with Exposure’s Overlay panel, which includes realistic sun flares, vintage borders, and textures. Layering presets (new to Exposure X) gives you even more creative options to explore.
Like a vinyl record, there’s an organic essence to film grain created in Exposure. Move the grain slider and witness in real time how the grain “breathes.”
The previews are insanely fast. Mouse over a preset and the main preview image updates instantly to reflect the style you’re evaluating. Customize, save, and share your own presets. Then apply your custom presets with the click of a mouse.
Here’s a quick pro tip on removing a cyan color cast from a brides dress using targeted color channel adjustments:
All of the settings to your images are saved as a small sidecar file in a folder that lives with your originals. No bloated catalog files taking up GigaBytes of hard drive space. Best of all, these changes are non-destructive, meaning you can always go back to your original file.
Whether you’re a casual shooter or a professional photographer, you’ll appreciate the effort and research that went into making Exposure X a very capable RAW photo editor. It enables you to work the way you want to work.