Chris Corradino is a travel photographer and teacher based out of New York. His work has been highly circulated in publications such as the Associated Press, USA Today, National Geographic, and Wall Street Journal. He’s deeply committed to providing a high-quality photography education through his dynamic teaching methods. Chris has a passion to help hard-working photographers bring their craft up to the next level.
Below is an article that he wrote for our blog readers. Thanks, Chris!
Most photographers will caution you to pack away the camera when the sun is high in the sky. This is a shame because with a few creative tricks it’s possible to create dramatic photos in mid-afternoon. Sure, the light at sunrise and sunset is beautiful, but why limit your photography to just two hours a day? Many splendid travel locations are not even accessible during those magic hours. Instead of going home empty-handed, try these techniques on your next outing.
1) Shooting Into The Sun
Forget the lens hood and shoot directly into the sun. The resulting sunbeams can add dynamic flare to an otherwise flat shot. To maximize the effect, start with a very small aperture opening like f22. Then, with a wide angle lens, carefully compose so the sun is just slightly blocked by an object. This partial obstruction will work to scatter the light in a fantastic way. In this image, the propeller of the WWII era P47 Thunderbolt was quite effective for this purpose.
The polarizing filter is essential when shooting landscapes midday. On a recent trip to Sicily, my guided tour of the Temple of Segesta was scheduled for high noon. While the light was harsh, you couldn’t ask for a better location. Dating back to 424 B.C., the unfinished temple is one of the grandest Doric monuments to survive from antiquity. The cloudless sky was a pale blue, absent of any real vibrance. To remedy this, I attached my circular polarizer and slowly rotated the front element. With each twist, I watched through the viewfinder as the sky grew richer. As an added benefit, the filter eliminated the glare on the temple, revealing more detailed texture in the ancient colonnade.
How often do you come across a beautiful sight, breathlessly pull out your camera, shoot from that first perspective, and move on? I know I’ve done it, as the excitement of a new place can cloud one’s better judgement. The resulting photo is usually a throw-away. It fails to capture the true character of the scene. To go beyond a postcard reproduction, get down low where the vantage point can often be more dramatic. While sprawled out on the ground, you may not be able to see through the viewfinder due to the awkward angle. This is an ideal time to use the Live View mode or swivel screen if your DSLR has it.
We’ve all experienced those drab overcast skies that can’t be saved even with a circular polarizer. If you choose a wide angle lens in these instances, you’ll show too much of the unwanted areas. Instead, opt for a telephoto lens like a 70-200mm. By zooming into the important aspects of the landscape, you are essentially cropping in the camera, making a stronger image. Before pressing the shutter, be sure to check all four corners of the viewfinder for any distracting elements.
Telephoto lenses are more prone to camera shake with their heavy barrel, and extreme magnification. Even with Image Stabilizers and Vibration Reduction, you’ll want to use the proper long lens technique for consistently sharp photos. To determine the minimum shutter speed, follow this equation: Multiply your chosen focal length by the crop factor of your camera. For example 200mm multiplied by a crop factor of 1.6 gives you an effective focal length of 320mm. Therefore, the slowest shutter speed you should hand hold the camera at with this setup is 1/320. For this landscape image in Montenegro, I not only used a fast shutter, but also mounted the lens to a tripod as we were on a moving ship.
As you can see, you don’t need perfect light to make quality photographs. Anyone who tells you that they only shoot photos at sunrise and sunset is missing a great opportunity to push their creative limits. Try these techniques for yourself and expand your portfolio along the way.
About the processing:
All images were shot in RAW on a variety of Canon DSLRs before being imported into Lightroom. This is where I make minor edits like cropping and dust spot removal. From Lightroom, I open my selected shots in the excellent software from Alien Skin, “Exposure 5“. For these images, I used the Fuji Velvia presets and a slight vignette. Below are before and after shots which show just how effective the software is.
For more work from Chris, check out the links below.